Dirs. Kleber Mendonça Filho and Juliano Dornelles 
NR, 131min, Brazil, 2020

Teresa comes home to her matriarchal village in a near-future Brazil to find that its citizens have been sold as prey to bloodthirsty hunters, in Kleber Mendonça Filho and Juliano Dornelles’ politically charged genre hybrid.

With each screening of Bacurau purchased, Pickford Film Center will receive 50% of the ticket price and the distributors and filmmakers receive the other 50%. Thank you for supporting the Pickford and the arts as we navigate these uncharted waters.


  • Click the button above, or follow THIS LINK to purchase entry to our digital screening of Bacurau for only $12 on Kino Lorber’s secure virtual screening room created just for patrons of Pickford Film Center.
  • Create an account – it’s very easy! – and complete your purchase.
  • Watch as much as you like for 5 days!
  • For any questions regarding streaming, device, connection, or payment issues, you will need to reference these links and reach out directly to that site’s customer support.
  • For non-streaming questions, please feel free to reach out to PFC support at

The town in the shocker Bacarau is fictional, a bit magical, at once ordinary and otherworldly. It’s filled with faces that have life etched in them, which helps deepen the realism. And while the story is set in the near future, it looks like the present: the charming landscapes, laughing children, crowing roosters, the grinning balladeer with a guitar. Then, the guns come out, history rushes in and a ghost pops by. (It smiles.)… An exhilarating fusion of high and low, the movie takes a shopworn premise—townsfolk facing a violent threat—and bats it around until it all goes ka-boom.
— Manohla Dargis, New York Times

Brazilian auteur Kleber Mendonça Filho, here co-directing with his producer and production designer Juliano Dornelles, has relinquished the quieter, more humanistic tones of his earlier pictures for this disturbing ultraviolent freakout. Set deep in the north-eastern Sertão – the Brazilian outback – it mashes up many themes and influences, but is chiefly a scream of satirical defiance against new president Jair Bolsonaro, the far-right globaliser who made his international statesman debut at Davos this year, famously promising to make the country more open to foreign trade. This movie’s closing credits pointedly note that the production created 800 jobs.
— Peter Bradshaw, The Guardian