Notes From The Program Director | Week of August 22nd, 2025

Hero Image

Hero Image

heading

Notes From The Program Director

Week of August 22nd, 2025

Melissa Tamminga

Rich Text

August 22-28, 2025

 

Hello, friends! 

We've got lots of great movies continuing this week: 

At the Bay St. mothership, Weapons and Highest 2 Lowest  sustain their run, and they are joined by encores of CatVideoFest 2025 and The Last Class

On Grand Ave., It's Never Over, Jeff BuckleyEast of Wall, and Shin Godzilla also continue for one final week -- catch 'em while they last!. 

And we also have two brand new - very different! - movies opening on Grand Ave.Souleymane's Story and Ne Zha 2




Souleymane's Story is a brilliant film that's rightfully been winning awards at all kinds of national and international festivals, including the Golden Space Needle Award for Best Performance at SIFF and two awards at Cannes (Un Certain Regard Jury Prize and Un Certain Regard Best Performance).  

It tells the rivetingly intense story of Souleymane, an immigrant to France from Guinea, West Africa, and we follow him over the course of a few days in Paris as he's preparing for his asylum application interview, and he hustles to make enough money (under the table) as a food delivery worker to pay for all the things he needs to prepare for the interview. It's an intimate, deeply humane look at the day-to-day struggle undocumented immigrants face, even in a relatively humane country like France, where hard work does not equal success, where their vulnerability is too easy to exploit, and where following all the rules seems only to offer yet more barriers to thriving.  

The film reminds me of the very best of the Dardenne brothers' films in its intimacy, immediacy, and detail, and the naturalistic performance from Abou Sangare is simply transcendent. He is an actual immigrant from Guinea, and before this film, he had not acted before (he was a mechanic!).  There's an effortlessness to his performance that comes along once in a generation with actors, and here, there seems to be no line between Sangare and his character: Sangare is Souleymane, and one does not see him "acting." The story the film tells is thus fully immersive, empathetic, and morally urgent. Few other films this year match it.  

Don't sleep on this one; it won't stick around for long.




We're also thrilled to bring you this week, Ne Zha 2, the animated Chinese film that is taking the world by storm. Indeed, it is now the highest grossing animated film of all time (passing Pixar's Inside Out 2) and the highest grossing non-English language film of all time, making $2.2 billion internationally even before its arrival today in the U.S. But as Jenny Zhang noted in Slate this week, "One of the biggest movies in the world is soon coming to American theaters—and chances are you've never heard of it." She further notes that A24 (the distributor behind such films as Everything Everywhere All at Once, Lady Bird, Midsommar, The Zone of Interest, Moonlight, Marcel the Shell with Shoes On, Past Lives, The Brutalist, and Friendship) is set to change that, taking on this U.S. theatrical release of Ne Zha 2 and introducing it to American audiences with English language dubbing.

As you might guess from the title, Ne Zha 2 is the sequel to Ne Zha, which was released in 2019 to a rapturous reception in China and a more modest reception in North America. The story--about Ne Zha, a boy born to human parents but made from the essence of the "Demon Orb"--is largely based on Chinese mythology and the 16th-century novel Investiture of the Gods, and it might be helpful to watch Ne Zha, the original film, first (it's currently streaming on several platforms) to catch up with the complexity of the plot. But homework is not necessarily required: it's the truly stunning animation and action of this film that will leave audiences slack-jawed with delight. I'll let two critics further explain: 

UK critic John Nugent for Empire, writes,  "The sheer size of the endeavour is quite something to witness. (The animation studio, Chengdu Coco Cartoon, reportedly hired over 4,000 workers to produce it.) There are more epic battles and acrobatic superpowered skirmishes than you could possibly count, playing out almost like extremely high-level Dungeons & Dragons combat, mind-boggling spells going up against seemingly limitless celestial weaponry. At one point Ne Zha beats up an entire mountain. Another fight takes place entirely on bamboo suspended over water — the kind of wire-work a live-action filmmaker like Zhang Yimou could only dream of. The grand climactic showdown, meanwhile, sees dragons, demons and gods alike go to war alongside vast, churning clouds of millions-strong levitating armies, atop a giant city-sized cauldron."

Elizabeth Kerr for Screen Daily, writes, "Ne Zha 2 teems with imagination – the underwater world is particularly vivid – and stays faithful to its fantastical, and very Chinese, source material. Jiaozi's script is its strength; assured in its identity but universal in its concepts. Though the bonds of family, parental sacrifice and unconditional love buoy the film overall, it also delicately trades in themes of duality as personified in Ao Bing and Ne Zha: of nature versus nurture, destiny versus choice, and the timely (and quietly subversive) notion of rebellion versus capitulation to corrupt power. The dense story is wrapped in impeccable artwork that has a vibrancy surpassing [the original film] Ne Zha's scrappier aesthetic, and demonstrates China's increasing confidence in its homegrown artists and technicians."

It's truly a film made for the big screen, for fans of animation and of East Asian cinema, and with a PG-13 rating, it's appropriate for families with older children. (If you're a parent with children, you might check out the Common Sense review here.) 

 Join us for this unique spectacle!


We also have a whole slew of wonderful events this week, beginning on Friday with a special collaboration between the Pickford and Bellingham Symphony Orchestra, with support from Downtown Forward and CASCADIA International Women's Film Festival: Sunset Flix, featuring five wonderful silent films set to live orchestra music. It's a free, family-friendly event that includes a raffle and prizes, as well as food and drink options for purchase.

As Bellingham Symphony Orchestra notes, "Sunset Flicks kicks off a number of summer events that help launch the Bellingham Symphony Orchestra's year-long celebration as it marks 50 years of making music in Whatcom County. This event will combine enchanting classical music and unforgettable silent films, creating a rare experience in a fun and accessible setting. Bring your folding chair and join us for a beautiful sunset followed by five fun films accompanied by live music."

The party starts at 7:30 pm, right outside the Pickford's Bay St. location, and the films start at sunset. Join us for this very special community celebration of music and movies!



Finally, don't miss our four other very special events this week, in addition to the encore showing of The Grateful Dead Movie: 2025 Meet-up (screening on Sunday at Bay St.): 

First, we've got the next film in our Truth-tellers and Whistleblowers series, Michael Mann's brilliant suspense film starring Al Pacino and Russell Crowe, The Insider, which tells the true life story of whistleblower Jeffrey Wigand and journalist Lowell Bergman, who fought to tell the truth about the tobacco industry. It plays at Bay St. on Saturday at 1:30 pm. 




Second, on Thursday at 7:45 on Grand Ave., we're delighted to be screening  Moonstruck, the irresistible Oscar-winning dramedy-romance starring Nic Cage, Cher, and Olympia Dukakis; it was programmed for us by Leslie and Michael Guelker-Cone as a part of our Film Futures investment fund. A brilliant choice -- thank you, Leslie and Michael! 





 Third, one of the most unique films of the year, Boys Go to Jupiter screens on Thursday on Bay St. at 8:15 pm. It’s a film for animation fans; for fans of Julian Glander (Cartoon Network, Adult Swim, New Yorker); fans of Jack Corbett, Elsie Fisher, Joe Pera, Janeane Garofalo, Miya Folick, Julio Torres, Sarah Sherman; fans of slacker vibes, deadpan sensibilities, coming-of-age existential angst, and the comically surreal. I’d love to add additional showings of this film, so if you’re at all interested, join us -- and tell your friends! Additional showings will hinge on how popular this initial screening is. 


And last, playing on Thursday on Bay St. at 6:00 pm for a special preview-screening is the newest film from Darren Aronofsky, Caught Stealing. Aronofsky is one of those directors whose work I'm always eager to see, for, love it or hate it, he's always taking a big swing: Pi, Requiem for a Dream, The Wrestler, The Fountain (one of my favorites), Black Swan, Noah, Mother!, The Whale. Each of them are films that have a point of view, that offer stunning visuals, and elicit ground-breaking performances. Caught Stealing, while immersed in a world of violent crime and personal trauma, is nonetheless Aronofsky's lightest -- and funniest -- film with a plot that simply rips along as our main character (played by an excellent Austin Butler) inadvertently gets caught in the crosshairs of criminals who think he's stolen from them. It's set in a wonderfully gritty 1990's New York City, and it's populated by a cast of supporting characters who are played with delightfully outsized aplomb by some of Hollywood's finest: Zoe Kravitz, Carol Kane, Vincent D'Onofrio, Liev Schreiber, Matt Smith, and Regina King. Unlike some of Aronofsky's earlier films, it's not one I'd earmark for the Oscars, but, to be honest, it's one I enjoyed a whole lot more than some of those other serious-minded Oscar heavy-weights.  

It's a great week for cinema.  See you at the movies, friends!

Melissa

back to blog page button

Marketing Signup

Marketing Signup

site note

watch_later
We open 30 minutes before the first showtime of the day.
accessible
All theaters are ADA accessible with wheelchair seating.
hearing
Closed captioning and assistive listening devices are available at the box office.

custom footer

Pickford Film Center

1318 Bay St
Bellingham, WA 98225

Office | 360.647.1300
Movie line | 360.738.0735

info@pickfordfilmcenter.org

Mailing Address
PO Box 2521
Bellingham, WA 98227

Footer

Pickford Film Center