February 16-22, 2024 Hello, everyone! The scrumptious feast of a film that is The Taste of Things continues this Friday, and we were also able to add four encore screenings of the multi-Oscar-nominated The Zone of Interest , playing over the long Presidents’ Day weekend to give folks one last chance to catch up with the film before Oscar night arrives on March 10. I’m also delighted to say we have another fantastic Oscar-nominated film joining us this week: The Teachers’ Lounge |
Nominated for Best International Film and written and directed by German director Ilker Çatak, The Teachers’ Lounge is one of the best films of the year, the kind of film that reminds me of the great power cinema has to reveal the expansive emotional landscapes that reside just below the surface of everyday life. Ebert critic and author Matt Zoeller Seitz opened his review of the film in this way: " It's not easy to make an intense thriller about things that happen every day. But when one appears, it's glorious." And he's right -- the film is set in the very ordinary setting of a school where very ordinary things happen, but it is, nonetheless, a glorious and intense thriller, which Seitz even aptly compares to the wild ride that was the film Uncut Gems (2019).
The Teachers’ Lounge follows the story of Carla Nowak, a young teacher in a German secondary school, new to her job, idealistic, eager to love and be loved by her students--and she is. At least, initially. But when an immigrant student is accused of stealing, our young, eager Ms. Nowak makes a series of earnest, well-intentioned choices that lead to increasingly hostile perceptions from others -- from fellow teachers, parents, and students alike -- and to a situation that gradually seems ever more impossible to untangle, emotionally and factually.
At a spare, 90-odd minutes, the film flies by, absorbing viewers both in the twisting plot and in the headspace of Ms. Nowak, who is played by a marvel of an actress, Leonie Benesch. We are with her, every step of the way, sympathetic to her every decision, even as the film is also brilliantly careful to help us understand and sympathize with the perceptions and feelings of others. It’s a film about the way in which one’s ideals meet the messy realities of life, the complexities of other lives, and the rigidity of the institutional structures in which we all live and which often ignore the individual and the personal. We’ll have The Teachers’ Lounge with us only a short time; I’d urge you not to miss it!
We also have quite a special film event this week in Kid Pickford’s Panda! Go, Panda! playing three times, Saturday, February 17, 1:45; Sunday, February 18, 10:00 am; and an encore showing on Presidents’ Day, Monday, February 19, 11:00 am. Panda! Go, Panda! from 1972 is one of the earliest creations from the brilliant creative minds of Hayao Miyazaki and Isao Takahata, who went on to co-found the beloved Studio Ghibli in 1985. While the film was made at the height of Japan’s “panda craze,” Ghibli fans will see the roots of later Miyazaki films embedded here: the lovable cuddly, wide-grinning big Papanda, for example, may remind viewers of the wonderfully huggable Totoro of 1988’s My Neighbor Totoro. And much like the warmth of Totoro, Panda! Go, Panda! is a sweet and gentle film, following the story of Mimiko, “a cheerful, young girl who is left on her own while her grandmother is away.” She meets little Panny Panda and his father Papanda, and adventures ensue! It’s a film to delight Studio Ghibli aficionados and completists, and it’s a warm hug of a film for young viewers. Kid Pickford tickets are just $7.

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Our second film in the From the Mind of Jordan Peele series, Us, will screen on Thursday, February 22, 8:00 pm. For me, Us is possibly the richest of the three films, though each film has its own utterly unique brilliance, and it’s also the scariest. That is not to say Us isn’t without the comedic genius Peele brings to every film. One of my favorite early reactions to the film in 2019, before the full reviews came out, was from Slate film critic Dana Stevens, who simply tweeted:

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A perfect emoji encapsulation of the film’s emotional roller coaster: sheer terror, followed by laugh-til-you-cry-hilarity, followed by more sheer terror. Peele’s use of fear and comedy, however, is never thematically empty or cheap, and one of the pure joys of experiencing his films involves teasing out their meanings and implications. Us , while among the best of the horror-genre in its accessibility, is a wonderfully complex and nuanced film, as even the title itself indicates with its double-meaning wordplay, referencing both the first-person plural pronoun, “us,” and our country, the U.S. It's a meaning that is further driven home, when the film’s protagonist meets the terrifying, threatening antagonists: “Who are you?” she asks, and their spokesperson replies, “We’re Americans.” Exactly what the film means by presenting to us “Americans” -- ourselves -- as the world’s most terrifying threat has only taken on more resonance since 2019, and watching the film again on the big screen in 2024 should prove to be electrifying. And with us for the screening to help us consider the film together is special guest speaker, Gary Washington, horror aficionado, filmmaker, and co-founder of Bellingham’s Bleedingham horror film festival. We’re so pleased to have Gary here to enrich our film viewing. See you at the movies, friends! Melissa |
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